The world has been eagerly awaiting singer-songwriter Taylor Swift’s tenth studio album, Midnights, at the MTV Video Music Awards in August.
Her other nine studio albums span the genres of country, pop, R&B and folk. As such, fans weren’t entirely sure which genre Swift would choose for her tenth album.
Given her massive album rollout and hype strategy across social media platforms (especially the “Midnights Mayhem with Me” TikTok series that featured the tracklist), the release of “Midnights” is something to avoid if you’re anywhere online. I couldn’t get it.
But again, we don’t want to shy away from what could be Swift’s strongest album to date.
“Midnights” marks a revival of Swift’s flashy synthpop style, which earned her international acclaim with “1989” and “Reputation”.
But this time, she layers the mature, introspective lyricism of “Folklore” and “Evermore,” a record that tells the tale of 13 sleepless nights in ways that are both lonely late-night reflections and immediate hits. Create a.
This combination of initially irreconcilable elements led Swift to take risks, from “folklore” and “evermore”, to experimental production choices like pitched-down melodies, to unexpected cadences and use of lower ranges. It works very well because I’ve learned that things pay off.
The subdued folk-pop style of her previous two albums gave her the opportunity to let her accomplished lyricism shine. And now that she knew what Swift was capable of, she was ready to get back to what she does best: the biggest pop star of her generation.
“Midnights” is an ongoing conversation between Swift and herself. Even songs directed at lovers or enemies aren’t exactly intended for the audience.
Listening to “Midnights” is like reading Swift’s diary, and rather than listening to the world’s most popular album right now, it feels like you’ve arrived at a special, personal work of art.
Album openers “Lavender Haze” and “Maroon” help set the scene for a Technicolor romantic experience in the short hours of the night.
These tracks lead you to Swift’s latest pop sounds, and promise she’ll tell you her heart by the end of its 44-minute runtime.
Swift’s highly anticipated collaboration with award-winning artist Lana Del Rey, “Snow on the Beach,” was the album’s biggest disappointment.
Del Rey’s voice is really only detectable in the second half of the chorus, but half of that is enough to make me angry that it’s not a full verse.
Swift and Del Rey’s voices blend beautifully to capture the seemingly impossible feeling of falling in love, but the sound doesn’t exactly capture the “Midnight” vibe.
And while the album may begin romantically, it wouldn’t be a Taylor Swift record without some very accurate observations about Taylor Swift herself.
The bridge on “You’re On Your Own, Kid” rivals the infamous bridge on “All Too Well” and “The Champagne Problem” that built Swift’s songwriting reputation.
The song explores Swift’s anxiety while visiting the house with candor reminiscent of “This is what I’m trying” and “Mirrorball”.
The album’s lead single, “Anti-Hero,” explores similar themes. These songs are great to listen to in the middle of the night if you want to experience emotional turmoil.
Perhaps the most anticipated track on “Midnights,” “Karma” would be the defining song in Swift’s career.
After exploring the concept of revenge throughout her sixth studio album Reputation, “Karma” traces back to how Swift overcame her sometimes negative perceptions in the public eye. increase.
The charming, trap-infused pop style cultivated by Swift and producer Jack Antonoff can’t be stopped on “Midnights,” but the presence of the album’s softer, slightly slower songs is appreciated. I’m here.
“Labyrinth,” “Sweet Nothing,” and “Mastermind” are lullabies that meet you at the end of a long night of overthinking and reminiscing about the rest of the album.
Released three hours after Swift’s original thirteen tracks, the seven bonus tracks on “Midnights (3am Edition)” continue the production style of former collaborator Aaron Dessner.
They’re some of the strongest individual tracks on the album, but Swift made the right choice not to include them on the standard version. The cohesion of the original Her 13 Her tracks is unquestionably perfect and the storyline is perfectly clear.
I think “Paris” is the “3 a.m. edition” track that will most likely continue to be underrated. It’s instantly recognizable as a classic — an accomplished piece of pop that worked seven years ago and will work in the future.
But with so many strong songs on one album, not every track has a chance to shine.
Overall, “Midnights” is a huge success for Swift. With the dawn of her new vibrant pop sound, she has achieved immense success in her music industry to date and has established her position as one of the greatest pop artists of our time. is regaining
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